Frauds (freuds) 1 – Joyce Hatto and A. D. Harvey

hatto                      harvey

 

Some ten or fifteen years ago a previously little-known pianist named Joyce Hatto, a woman in her seventies who had not appeared in public for more than twenty years, came to the notice of music buffs thanks to a series of extraordinary recordings put out by her husband’s Concert Artists’ label.

Hatto, it seemed, although terminally ill, had devoted six years to these recordings, and what performances they were. One of the greatest pianists Britain has ever produced, said The Guardian.

Oh no, she wasn’t. The recordings were fabricated by her husband, William Barrington-Coupe, cutting and splicing performances of other great pianists. There was a little bit of Joyce there, but not much.

It’s still unclear how much Joyce knew of what her husband was doing. And why was he doing it? Not, he says, for the glory, the publicity or the money, which wasn’t much anyway. The best he can say is It was all about getting things to sound right.

What a subject he’d make for a novel, as would A.D. Harvey, an English academic who for thirty years deceived a range of scholarly journals and magazines with articles written by Stephanie Harvey, Graham Headley, Trevor McGovern, John Schellenberger, Leo Bellingham, Michael Lindsay, Ludovico Parra and the poet Janis Blodnieks. This community of scholars analysed, supplemented and even ruthlessly criticized each other’s work, and the fact that all of them were A.D. Harvey may never have come to light if an American academic, Eric Naiman, had not become suspicious about a supposed meeting of Dickens and Dostoevsky in London in 1862, a meeting described by Stephanie Harvey in The Dickensian in 2002 and accepted as fact by the Dickens biographers Michael Slater and Claire Tomalin.

Why would anyone put so much time and intellectual effort into a 30-year-long hoax? It’s been put down to the frustrated ego of a man who feels he’s never got his just recognition in the academic world. Or perhaps he finds the world as written by Stephanie Harvey, Graham Headley and the others, preferable to the world as it is. Maybe that’s what it’s about for Joyce Hatto’s husband too – getting things to sound right.

Gert loves these stories where the borders of the “real” and ideal world merge and dissolve. In Frauds (freuds) 2 we’ll look at the extraordinary physical feats of Donald Crowhurst and Peter Treseder.

http://www.dailymail.co.uk/femail/article-2125348/Pianist-Joyce-Hatto-Husband-reveals-fooled-world-fake-recordings.html

http://www.theguardian.com/books/2013/jul/10/man-behind-dickens-dostoevsky-hoax

 

 

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10 thoughts on “Frauds (freuds) 1 – Joyce Hatto and A. D. Harvey

  1. I love these border explorations too. I’ve just finished reading the delightful Writing is Easy. Glad to see that Dr. Kerr is hassling people about their blood pressure, after what happened to Teoh. Would love to hear from you.

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  2. After many legal journals, and scholarly papers, it sounds delightful to retire, and people an entire world with the research that should have been done, and the critiques that should have been given, at the same time satirizing all of the truly amazing and boring things that people got away with. “Writing is Easy” probably wasn’t, but it creates just that sort of delightful world where poetic justice triumphs (light-heartedly but incisively (clever is given as a synonym).

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  3. The cakes are really something, though. Yes, it is remarkable what people get away with. There’s a nice line in The Goon Show where Neddy Seagoon describes some trickery someone was up to, and says in a pitying voice, “he thought he’d get away with it”. “And what happened?” asks someone.
    “HE GOT AWAY WITH IT!”

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  4. Our current Prime Minister is trying very hard to get away with having promised the earth before the election and now, er, well, reconfiguring what he promised. His version is that what we think he promised is not what he promised but only what we thought he promised. Not working so well.

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